Kirsty Stuart
Adventures with the Painted People
★★★★★ Perfect timing and setting
David Greig’s Adventures with the Painted People is a clever and evocative piece of theatre which is only enhanced both by being the first full theatre production in Scotland since lockdown and by its performance in Pitlochry’s new Covid-secure amphitheatre.
Tennis Elbow
★★★★☆ Linguistic luxury
Thoroughly enjoyable on its own terms, Tennis Elbow – the latest offering from Pitlochry Festival Theatre and the Lyceum’s Soundstage – is a flawed but very funny piece.
Angela
★★★★☆ Poignantly perceptive
A touching and utterly personal piece of drama, Angela by Mark Ravenhill is a fitting first offering in the Lyceum and Pitlochry Festival Theatre’s Sound Stage project in association with Naked Productions Ltd.
Edinburgh’s CATS credits
Half noms; majority of wins have Edinburgh credits
This year’s delayed Critics Awards for Theatre in Scotland have been announced, with Edinburgh associations for 20 of the 41 nominations and winners in seven of the ten categories.
Gut
★★★☆☆ Gut-wrenching:
There are moments in Gut – presented by the Traverse in association with the National Theatre of Scotland – where it is difficult to breathe, such is the power of Frances Poet’s psychological thriller. However, there are also stretches which are far less compelling, or even entirely convincing.
Oresteia: This Restless House
★★★★☆ Drips grandeur:
Huge and elemental forces drive This Restless House, the version of the Oresteia by Zinnie Harris originally produced by the Citizens’ Glasgow and the National Theatre of Scotland last year.
Uncanny Valley
★★★★☆ Shiny new:
Direct and clear, Rob Drummond gets right among all the big questions in this interactive production which is part of the International Science Festival.
Æ Review – Spring Awakening
★★★★☆ Brutal:
Grid Iron Theatre Company have joined forces with the Traverse theatre to create a brief, brutal and quite devastating new working of Frank Wedekind’s Spring Awakening.
