Lynn Cameron
Hatches, Matches and Dispatches
★★★★☆ Hilarious
In their 77th Fringe production – Hatches, Matches and Dispatches at Newington Trinity for the first two weeks – Edinburgh People’s Theatre remain the beating heart of the festival.
The Watsons
★★★★☆ Intriguing
The Watsons, from Edinburgh People’s Theatre at the Church Hill, is an attractive production of a clever (if distinctly odd) literary adaptation.
Ne’er The Twain
★★★★☆ Couthie comedy
Edinburgh People’s Theatre have been doing the Fringe since it first started, and this is not the first time they have put on Alan Cochrane’s Ne’er the Twain. However, both play and company come over as commendably fresh and very funny.
Brief Encounter
★★★★☆ Imaginative
Reassuring without being cosy, and fabulously inventive, Edinburgh People’s Theatre’s Brief Encounter at the Church Hill celebrates the possibilities of theatre while having considerable emotional impact.
Whisky Galore
★★★★☆ Classic comedy
Edinburgh People’s Theatre, 80 years young and regulars at the Fringe since Methuselah was a boy, return to one of their greatest hits in style with a production of Whisky Galore at Mayfield Salisbury Church.
Vanity Fair
★★★☆☆ Jam packed
Leitheatre’s Vanity Fair at the Church Hill Theatre is a well directed, well acted production that falls victim to many of the problems inherent in putting a sprawling novel on the stage.
The Deil’s Awa’
★★★★☆ Devilishly funny
Edinburgh People’s Theatre attack The Deil’s Awa’ at Mayfield Salisbury Church with such humour and panache that the result is nigh on irresistible.
A Tomb With A View
★★★☆☆ Ridiculous
Cheerfully ludicrous and staged with considerable craft, Edinburgh People’s Theatre’s production of A Tomb With A View is thoroughly entertaining.
Tomb Hopping
EPT get farcical with Norman Robbins
Edinburgh People’s Theatre return to the Church Hill Theatre this week with a production of A Tomb with a View, from Wednesday to Saturday, following the success of the Men Should Weep back in March.
Men Should Weep
★★★★☆ Timely
Seemingly endlessly delayed by Covid, Edinburgh People’s Theatre’s production of Men Should Weep finally takes to the Church Hill stage. The end result is carefully observed and has considerable emotional power.
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