Lynne Morris
It’s A Wonderful Life
★★☆☆☆ Heartwarming
Mary Elliott Nelson’s adaptation of the critically-acclaimed classic 1946 film, It’s A Wonderful Life is a heartwarming, festive watch in Leitheatre’s production running at the Church Hill Theatre until 29 November.
Calendar Girls
★★★★☆ Heart-warming
Calendar Girls at Inverleith St Serf’s Church Centre for two weeks is a heart-warming, feel-good comedy, competently staged by Leiththeatre who have been putting on productions for almost eighty years now.
Twelfth Night
★★★☆☆ Droll
The Forth Act return to Saughton Park with another helping of outdoor Shakespeare, transporting the Illyria of Twelfth Night to a beach town in the summer of 1967.
Dancing at Lughnasa
★★★☆☆ Affecting
Even as other companies gear up for Christmas, Leitheatre look back to September with Brian Friel’s Dancing at Lughnasa at the Church Hill. This entirely unseasonal downbeat piece is discharged with great care and some impressive acting.
Blue Remembered Hills
★★★☆☆ Challenging
Leitheatre’s Blue Remembered Hills at the Church Hill is nasty and short. Which is exactly what is intended.
The Prime of Miss Jean Brodie
★★★★☆ Powerful
The Prime of Miss Jean Brodie, from Leitheatre at the Church Hill, is a complex piece of pitch-black satire discharged with skill.
SCDA One Acts – Saturday
Calculated quartet
To the second night of the Edinburgh district round of the SCDA’s One Act Play Festival at the Church Hill Theatre, where the four plays on offer demonstrated that the competition is firmly back on track.
On Golden Pond
★★★☆☆ Crystal clear:
Leitheatre’s production of On Golden Pond at the Church Hill is a warm and emotional evocation of family struggles and satisfactions that rarely ignites but is performed with diligence and grace.
Sunset Song
★★★☆☆ Pacey:
Leitheatre’s production of Lewis Grassic Gibbons Sunset Song burls along at pace and with great vitality at the Church Hill Theatre, where is playing to Saturday.
The House of Bernarda Alba
★★★☆☆ Direct:
Intense and mannered, Leitheatre’s production of Lorca’s The House of Bernarda Alba at the Festival Theatre Studio strikes a chord with contemporary events.
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