Michael John McCarthy
The Seagull
★★★★☆ Impressive
The Seagull, at the Lyceum until 1 November, is the first production under the new regime of James Brining, and is an undoubted success.
Black Hole Sign
★★★★☆ Sadly angry
Black Hole Sign by Uma Nada-Rajah, the Tron/Traverse co-production (in association with the NTS) gives every appearance of being a big deal, including appearing in Traverse One for more than a week. And – despite some real problems – it lives up to its billing.
Kidnapped
★★★★★ Rattling adventure
Isobel McArthur has excelled herself in her latest adaptation of a classic story to the stage, this time giving Robert Louis Stevenson’s Kidnapped a music-filled, comic and heartfelt makeover.
Castle Lennox
★★★★☆ Huge humanity
Originally intended to be staged at the Lyceum in 2020, Castle Lennox, playwright Linda McLean’s collaboration with Lung Ha Theatre Company proves to be well worth the wait.
Lyceum 2023 Spring Season
Lyceum announces four-strong spring Season
The Lyceum has announced a Spring season 2023 of four female-led productions with shows written or adapted by Zinnie Harris, Ahlam, Isobel McArthur and Lesley Hart.
I Can Go Anywhere
★★☆☆☆ Uneven two-hander:
A good premise is overshadowed by a lumbering script in Douglas Maxwell’s exploration of identity and belonging, I Can Go Anywhere, at the Traverse Theatre as part of Edinburgh’s Christmas to 21 December.
Ulster American
★★★★☆ Hard Hitting:
Trailing clouds of glory from 2018, David Ireland’s Ulster American has returned to the Traverse with a bang. If it is not quite as good as some have said, it is still impressive – and certainly is impressively nasty.




















Connect
Connect with us on the following social media platforms.