Michael Mulligan
The Curious Incident of the Dog in the Night-Time
★★★★☆ Stunningly crafted
EGTG’s production of The Curious Incident of the Dog in the Night-Time, at the Assembly Roxy to Friday, is a beautifully directed exploration of the autistic experience, based on Mark Haddon’s novel of the same name.
George, Don’t Do That…The Joy of Joyce Grenfell
★★★☆☆ Rewarding
George, Don’t Do That…The Joy of Joyce Grenfell evokes a vanished social milieu with tunefulness and humour. The show, from Arkle at the Royal Scots Club each afternoon of the Fringe’s final week, is a compilation of the work of Joyce Grenfell (1910 – 1979) – the writer, actor and singer.
Arkle and Out
End of an era as Arkle calls time
This Fringe sees the end of an era among Edinburgh’s amateur companies, when the unique Arkle Theatre Company drops the curtain on its final production, at the Royal Scots Club on Abercromby Place.
The Children
★★★★☆ Contemplative
Edinburgh Graduate Theatre Group’s late show at the Royal Scots Club, Lucy Kirkwood’s The Children, is a bleak and thoughtful look at everyday life in the wake of a disaster, and the choices its survivors must make.
The Virtuous Burglar
★★★☆☆ Uproarious
A nod to British 1970s classics is a smart touch adding comic familiarity to Italian farce The Virtuous Burglar, which appears at the Royal Scots Club until 9 August.
Dangerous Corner
★★★★☆ Absorbing
The Edinburgh Graduate Theatre Group’s production of J.B. Priestley’s Dangerous Corner, upstairs at the Assembly Roxy until Saturday, is a tense affair, well staged and compelling.
Catch 22
★★★★☆ Catchy:
As with so many great books, Catch-22 seems to have defied dramatic representation over the years. And while EGTG’s version at the Biscuit Factory does not necessarily kill off such an idea, is still an extremely impressive production.


















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