National Theatre of Scotland
Jean Brodie for Lyceum
NTS tour kicks off in October 2026
A new adaptation by David Harrower of Muriel Spark’s The Prime of Miss Jean Brodie will open at the Lyceum on Friday 9 October 2026 ahead of a tour to the Glasgow Citizens, His Majesty’s Aberdeen and Pitlochry Festival Theatre.
Make It Happen (EIF)
★★★★☆ Salutary reminder
Make It Happen at the Festival Theatre has all of the trappings of an Event with a capital E. Even if it doesn’t quite justify that status, it is impressive.
She’s Behind You
★★★★★ Utter joy
Let’s just get this out of the way at the start. Johnny McKnight’s She’s Behind You at the Traverse is just brilliant.
Lear
★★★★★ Magnificent
Lear by Ramesh Meyyappan at the Traverse is a stunning piece of work – raw and delicate, disciplined and chaotic, frightening and beautiful.
The High Life hits the high notes
“U Fur Coffee?”
Alan Cumming and Forbes Masson’s The High Life is to get a musical makeover in 2026, after thirty years in the waiting lounge in a new production from the National Theatre of Scotland.
KELI
★★★★☆ Affecting
First seen in preview at the Lyceum, and having gone through several different incarnations, Martin Green’s play KELI is finally a full-length stage drama
The Fifth Step (EIF)
★★★☆☆ Diffuse
The National Theatre of Scotland’s The Fifth Step at the Lyceum as part of the International Festival is a keenly observed and notably well acted piece that nevertheless lacks sustained impact.
Dear Billy
★★★★☆ Devotional
Gary McNair presents a remount of the National Theatre of Scotland’s Dear Billy, A Love Letter to the Big Yin at the Assembly Rooms on George Street for a ten date run at the fringe.
June Carter Cash: The Woman, Her Music and Me
★★★★☆ Exuberant
Intense emotion is combined with real intelligence in The National Theatre of Scotland and Grid Iron’s June Carter Cash: The Woman, Her Music and Me by Charlene Boyd, at Summerhall Dissection Room.
Maggie & Me
★★★☆☆ Resonant but unwieldy
The National Theatre of Scotland’s Maggie & Me, touring to the Traverse, is an odd beast indeed. It has a great deal to say about both the personal and the political, but some of it is lost in an over-ambitious, wildly inconsistent production.
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