Oran Mor

PPP: Variant
★★★★☆ Unsettling
There is a pleasing intransigence to Variant by Peter Arnott, the latest Play, Pie and a Pint from Oran Mor at the Traverse and Arnott’s fiftieth professionally produced play.

PPP: BABS
★★★☆☆ Magic energy
BABS, the latest Play, Pie and a Pint at the Traverse, is an endearing work; funny, frothy and deceptively serious, but occasionally pulling in too many directions at once.

PPP: Burning Bright
★★☆☆☆ Committed
Burning Bright, Oran Mor’s latest A Play, A Pie and A Pint at the Traverse, features impressive performances and confident staging in the service of vital themes. However, it never quite fuses together into a persuasive whole.

PPP: Until It’s Gone
★★★☆☆ Thoughtful
Until It’s Gone, the first in the new Traverse season of Oran Mor’s A Play, A Pie and A Pint at the Traverse, is a downbeat, thoughtful work.

PPP: Alföld
★★★☆☆ Intriguing
There is a commendable seriousness and ambition to Alföld, the latest Play, Pie and A Pint from Oran Mor at the Traverse, that makes it a worthwhile production, even if it is not entirely convincing.

PPP Made in China
★★★☆☆ Heartfelt
Made in China by Alice Clark, the latest Play, Pie and a Pint from Oran Mor at the Traverse, is a carefully written and excellently acted piece. Unfortunately it does not always satisfy as a drama.

PPP: Man’s Best Friend
★★★★☆ Poignant
Jonathan Watson turns in a remarkable performance in Man’s Best Friend, the latest Play, Pie and a Pint from Oran Mor at the Traverse.

PPP: Milkshake
★★★☆☆ Claustrophobic
The subject matter of Milkshake by Rob Drummond, the latest offering at the Traverse from Oran Mor’s Play, Pie and a Pint, is intriguingly topical. Despite being acted with real conviction, however, it never quite reaches the heights it promises.