Ross Kirkland
PPP: Righ Iasgair: The Fisher King
★★★☆☆ Jarring
Righ Iasgair: The Fisher King by Kenny Boyle, the last in the current series of the Traverse’s presentations of Òran Mór’s A Play, A Pie & A Pint, is an evocative presentation of Scottish language and culture that fails to carry off a drastic shift in tone.
PPP: Maybe Tomorrow
★★★☆☆ Jolly
Maybe Tomorrow, by Brian James O’Sullivan and Hannah Jarrett-Scott from Òran Mór at the Traverse, is one of those mini-musicals that A Play, A Pie & A Pint does so well. If it is all a bit inconsequential, it is highly enjoyable.
PPP: Our Brother
★★★☆☆ Serious
Our Brother by Jack MacGregor, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is a tense political drama that is well acted but whose structure occasionally lets it down.
PPP: Dancing Shoes
★★★☆☆ Joyful
There is a heart-warming element of the fantastic as well as sympathetic realism in Dancing Shoes, the latest Play, Pie and a Pint from Òran Mór at the Traverse.
PPP: Dookin’ Oot
★★★★☆ Beautifully vulgar
Dookin’ Oot by Éimi Quinn, the first in the new season of Play, Pie and a Pint from Òran Mór at the Traverse, is a very funny and deceptively serious piece.
PPP: Starving
★★★★☆ Nutritious
Starving by Imogen Stirling, the latest Play, Pie and a Pint at the Traverse from Òran Mór in collaboration with Raw Materials, is a potent and fascinating piece.
PPP: The Sheriff of Kalamaki
★★★★☆ Impressive
This week’s A Play, a Pie and a Pint from Òran Mór at the Traverse, The Sheriff of Kalamaki by Douglas Maxwell is another tale of mismatched siblings, this time played by the real-life McCole brothers.















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