Ross Nurney
PPP: Wasps
★★★★☆ Emotional clarity
Wasps by Cameron Forbes, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is a touching coming-of-age story.
PPP: Kev Campbell Was He
★★★☆☆ Engaging
Kev Campbell Was He, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is an engaging and gently political production.
PPP: Dookin’ Oot
★★★★☆ Beautifully vulgar
Dookin’ Oot by Éimi Quinn, the first in the new season of Play, Pie and a Pint from Òran Mór at the Traverse, is a very funny and deceptively serious piece.
PPP: Armour: A Herstory of the Scottish Bard
★★★☆☆ Tuneful
Armour: A Herstory of the Scottish Bard, this week’s lunchtime theatre offering at the Traverse before continuing on tour, provides a melodic new slant on the familiar story of Robert Burns.
PPP: The Last Cabaret on Earth
★★★★☆ Impressive
The Last Cabaret on Earth, by Brian James O’Sullivan at the Traverse, is the first in the new series of Play, Pie and a Pint from Òran Mór (with Ayr Gaiety) – and has an impact out of all proportion to its small scale.
PPP: Starving
★★★★☆ Nutritious
Starving by Imogen Stirling, the latest Play, Pie and a Pint at the Traverse from Òran Mór in collaboration with Raw Materials, is a potent and fascinating piece.
PPP: Meetings With The Monk
★★★★☆ Imaginative possibilities
Meetings With The Monk, the latest Play, Pie and a Pint from Òran Mór and the Traverse, is a beautifully considered and tremendously well-staged play.
PPP: The Spark
★★★★☆ Fiery
The Spark by Kathy McKean, the final offering in the current Traverse run of Oran Mor’s Play, Pie and a Pint, is a clever and compelling piece of theatre.
PPP: Burning Bright
★★☆☆☆ Committed
Burning Bright, Oran Mor’s latest A Play, A Pie and A Pint at the Traverse, features impressive performances and confident staging in the service of vital themes. However, it never quite fuses together into a persuasive whole.
