Ross Nurney
PPP: Righ Iasgair: The Fisher King
★★★☆☆ Jarring
Righ Iasgair: The Fisher King by Kenny Boyle, the last in the current series of the Traverse’s presentations of Òran Mór’s A Play, A Pie & A Pint, is an evocative presentation of Scottish language and culture that fails to carry off a drastic shift in tone.
PPP: Maybe Tomorrow
★★★☆☆ Jolly
Maybe Tomorrow, by Brian James O’Sullivan and Hannah Jarrett-Scott from Òran Mór at the Traverse, is one of those mini-musicals that A Play, A Pie & A Pint does so well. If it is all a bit inconsequential, it is highly enjoyable.
PPP: Wallace
★★★★☆ Intelligent fun
Wallace, the first in the new season from Play, Pie and a Pint at the Traverse, is a sparky, original and historically aware co-production from Òran Mór and Raw Material.
PPP: Wasps
★★★★☆ Emotional clarity
Wasps by Cameron Forbes, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is a touching coming-of-age story.
PPP: Kev Campbell Was He
★★★☆☆ Engaging
Kev Campbell Was He, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is an engaging and gently political production.
PPP: Dookin’ Oot
★★★★☆ Beautifully vulgar
Dookin’ Oot by Éimi Quinn, the first in the new season of Play, Pie and a Pint from Òran Mór at the Traverse, is a very funny and deceptively serious piece.
PPP: Starving
★★★★☆ Nutritious
Starving by Imogen Stirling, the latest Play, Pie and a Pint at the Traverse from Òran Mór in collaboration with Raw Materials, is a potent and fascinating piece.
PPP: Meetings With The Monk
★★★★☆ Imaginative possibilities
Meetings With The Monk, the latest Play, Pie and a Pint from Òran Mór and the Traverse, is a beautifully considered and tremendously well-staged play.















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