Royal Scots Club
Dracula
★★★★☆ Considered
The Edinburgh Makars’ production of Dracula, at the Royal Scots Club for the last week of the Fringe, is an intelligent and atmospheric (if overlong) production, benefiting from some tremendous acting.
A Midsummer Night’s Dream
★★★★☆ Dreamy
Arkle’s presentation of A Midsummer Night’s Dream at the Royal Scots Club for the Fringe’s second week is an extremely impressive, thoroughly enjoyable affair.
The 39 Steps
★★★★☆ Spiffing
Arkle’s The 39 Steps, at the Royal Scots Club for the Fringe’s second week, is a glorious piece of tongue-in-cheek entertainment.
Nancy’s Philosopher
★★★★☆ Admirable restraint
Nancy’s Philosopher, at the Royal Scots Club through the first two weeks of the Fringe, is the first offering from Arkle Theatre Company in their final Festival – and it is delicate, tasteful and accomplished.
The Children
★★★★☆ Contemplative
Edinburgh Graduate Theatre Group’s late show at the Royal Scots Club, Lucy Kirkwood’s The Children, is a bleak and thoughtful look at everyday life in the wake of a disaster, and the choices its survivors must make.
Death on the Clyde
★★★★☆ Fully-fledged
Death on the Clyde, playing The Speakeasy at The Royal Scots Club for Week One of the Fringe, involves a mix of song, dance, and storytelling to create a well-polished interpretation of Scottish folklore.
The Virtuous Burglar
★★★☆☆ Uproarious
A nod to British 1970s classics is a smart touch adding comic familiarity to Italian farce The Virtuous Burglar, which appears at the Royal Scots Club until 9 August.
The Kelpie, the Loch and the Water of Life
★★★☆☆ Radio fun
Arkle’s The Kelpie, the Loch and the Water of Life is an ideal mid-afternoon diversion for the last week of the Fringe.
Amy’s View
★★★☆☆ Slow-moving
The Makars’ production of Amy’s View, at the Royal Scots Club for the Fringe’s last week, is well staged and acted but never really ignites.
Divided
★★★★☆ Delicate
In Divided, Kate Macsween and Michael Reddington play the parents of recently transitioned Saul, in this (mostly) two-hander about family, gender, and the deeper commitments behind unconditional love.
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