Scott Thomson
Trial by Jury
★★★★☆ Spritely
Cat-Like Tread presents a spritely rendition of Gilbert & Sullivan’s one-act comic opera, Trial by Jury that entirely fulfils its brief: light, fun, and more than a little ridiculous.
The Lady Vanishes
★★★☆☆ Magnificent hokum
The Lady Vanishes provides for an entertaining evening up at the Church Hill Theatre, where the Threepenny Theatricals draw on 1930s English sensibilities for this train-set period thriller.
The Hollow
★★★☆☆ Stately:
Huge care and attention has gone into the staging of Threepenny Theatricals’ version of Agatha Christie’s The Hollow. That care, however, does mean that there is a definite absence of energy in a production that never outstays its welcome but frequently threatens to.
The Sorcerer
★★★★☆ What larks:
For careful execution and straightforward fun, it is difficult to imagine many recent productions of Gilbert and Sullivan have beaten Cat-Like Tread’s The Sorcerer at Paradise in Augustines.
H.M.S. Pinafore
★★★☆☆ Shipshape:
There is a straightforward likeability to Cat Like Tread’s H.M.S. Pinafore that helps it to overcome some less confident moments.
The Pirates of Penzance
✭✭✭✭✩ Plenty of pizzazz:
Fun, games and top-notch singing abound in The Pirates of Penzance at the King’s. The Edinburgh Gilbert and Sullivan Society’s production is reassuringly traditional, very strong musically, and extremely funny.
Connect
Connect with us on the following social media platforms.