Zinnie Harris
Lyceum Christmas Tales V – VIII
★★★★☆ Fresh
The last four of the pre-recorded Lyceum Christmas Tales provide another helping of laughter, reflection and hope.
Lyceum Christmas Tales I-IV
★★★★☆ Tasty selection
With festive theatre lacking like so much in 2020, the Lyceum’s online Christmas Tales go along way towards compensating.
Edinburgh’s CATS credits
Half noms; majority of wins have Edinburgh credits
This year’s delayed Critics Awards for Theatre in Scotland have been announced, with Edinburgh associations for 20 of the 41 nominations and winners in seven of the ten categories.
Lyceum Xmas Ticket Details
Seats available by table of 4 or 6:
The Lyceum has released ticket details for the seven live performances of its Lyceum Christmas Tales this Christmas in its radically altered auditorium.
Lyceum’s Live Xmas
Live Shows planned for Christmas:
The Lyceum Theatre has revealed plans for a live family production in December, staged in a dramatically re-shaped auditorium to enhance social distancing.
David Greig extends Lyceum tenure to 2025
Zinnie Harris adds Lyceum associate director role:
David Grieg has agreed to extend his tenure as artistic director of the Royal Lyceum theatre for another five years, as Zinnie Harris is announced as a new associate director to the company.
The Duchess [of Malfi]
★★★★☆ Necessarily nightmarish:
The blood-soaked events of The Duchess [of Malfi], a co-production between the Lyceum and the Citizens Theatre, are almost unwatchably intense at times. As a depiction of timeless and timely considerations, however, this production is hard to beat.
It’s Cool for Edinburgh at CATS
Edinburgh companies dominate Critics Awards shortlist:
The shortlist for this year’s Critics Awards for Theatre in Scotland have been published and exactly half the nominations are for productions made or co-produced in Edinburgh.
Gut
★★★☆☆ Gut-wrenching:
There are moments in Gut – presented by the Traverse in association with the National Theatre of Scotland – where it is difficult to breathe, such is the power of Frances Poet’s psychological thriller. However, there are also stretches which are far less compelling, or even entirely convincing.