Bedlam
H.M.S. Pinafore
★★★★☆ Works beautifully
Edinburgh University’s Savoy Opera Group’s latest production brings a new approach to HMS Pinafore, one of Gilbert and Sullivan’s most popular comic operas.
Shakers
★★★☆☆ Funny
The EUTC make a decent fist of Shakers, at the Bedlam all week, playing to the broad comedy of the John Godber and Jane Thornton’s script but finding their best in its moments of pathos.
Translations
★★★★☆ Clear
Edinburgh University Theatre Company bring a welcome clarity to Translations, at the Bedlam to Saturday, in a production which gets inside the many shades of meaning to Brian Friel’s script.
Mary Queen of Scots got her Head Chopped Off
★★★★☆ Clear bright corbie:
The EUTC bring a strong understanding and sense of purpose to this production of Liz Lochhead’s great 1987 play Mary Queen of Scots Got Her Head Chopped Off, at the Bedlam to Saturday.
She Can’t Half Talk
★★☆☆☆ Unconvincing lives:
She Can’t Half Talk, EUTC’s Fringe production at the Bedlam, is a varied set of stories that contains much of promise but fails to convince as a coherent whole.
Going Slightly Mad
★★★★☆ Fast paced:
Young critics scheme review
Going Slightly Mad by Big Mind Theatre at the Bedlam for the first two weeks of the fringe has a storyline that touches on mental health.
Pippin
★★★☆☆ Overambitious:
There is a great deal of vocal talent on show in the EUTC’s production of Pippin at the Bedlam. However, some ill-judged staging choices conspire against the production, resulting in a definite curate’s egg.
Joe at the helm…
EUTC stage UK premier of Bouchard hit:
The Edinburgh University Theatre Company is staging the UK premiere of Michel Marc Bouchard’s Tom at the Farm at the Bedlam, opening on February 7 2018, under the direction of Joe Christie.
A View From The Bridge
★★★☆☆ Well told:
A View from the Bridge, Arthur Miller’s great tragedy of loyalty and miss-placed love in the tenements of the waterfront slums of 1950s New York is given a solid production from the EUTC at Bedlam this week.
Sugar And Salt
★★☆☆☆ Chalk and cheese:
In Sugar and Salt, EUTC’s production at the Bedlam, writer/director Louisa Doyle displays a keen ear for dialogue and a facility with words. However, in the end, the result is never truly cohesive.
