Bedlam
Road
★★★★☆ Emotionally resonant
The EUTC production of Road at the Bedlam is far too long and distinctly baggy in places. It is also vibrant, accomplished and compelling.
Under Milk Wood
★★★★☆ Accomplished
EUTC’s staging of Under Milk Wood, at the Bedlam until Saturday, is a beautifully realised and engaging piece of theatre.
BedFest 2025
BedFest rides again!
The Bedlam’s annual festival of short plays and theatre orientated workshops returns this week, running from Wednesday 29 Jan to Sat 1 Feb, with experimentation, straight productions and seven new scripts.
The Boys in the Band
★★★★☆ Engaging
The EUTC’s engaging production of Mart Crowley’s 1968, New York-set gay drama, The Boys in the Band, is a well-observed affair which is at its best when it goes past the play’s innate waspishness to find its inner anger.
A Girl Gets Naked In This
★★★★☆ Intimate and raw
A Girl Gets Naked In This from St Andrews-based People You Know, is a series of raw monologues about sex from nine young women’s perspectives. While all of the monologues are broadly about sex, they manage to cover a lot of ground – the good, the bad, and the mohawked.
Sycamore Grove
★★★★☆ Sinister and captivating
The unsettling nature of Sycamore Grove, which had its premiere at the 2023 Edinburgh Horror Festival and now returns to the Bedlam for Week One of the Fringe in a production from Slainte! Theatre, starts from the moment you enter venue.
Slash
★★★★☆ Witty and clever
Slash is a witty murder mystery with a clever twist. Performed at Bedlam by the Edinburgh University Theatre Company, the show is a whodunnit with perfect comedic timing. Set entirely in a boy’s toilet.
A Taste of Honey
★★★☆☆ Troubling
A pair of perfectly pitched performances ensure that the EUTC’s production of A Taste of Honey at the Bedlam, to Friday, provides a more than creditable account of Shelagh Delaney’s script.
Mother Clap’s Molly House
★★★★☆ Gloriously vulgar
The EUTC deliver a fully frank and deliciously frivolous take on Mother Clap’s Molly House, Mark Ravenhill’s dark comedy with songs, which plays the Bedlam to Saturday.
Who We Are Now
Work in Progress: 70s/80s vibe
Edinburgh University Theatre Company’s Who We Are Now, written and directed by Thaddeus Buttrey and produced by Ching Zhan, is a rock opera presented as a work in progress, that is already giving off a very enjoyable 70s/80s vibe.
