Bedlam
Buttrey rocks Bedlam
EUTC workshop new rock musical at Bedlam
Thaddeus Buttrey wrote his first song when he was 10 years old and first performed in a musical when he was 13. Now, the Edinburgh University phd student is set to have his rock musical Who We Are Now staged by the EUTC in their Bedlam theatre.
Things I Know to be True
★★★★☆ Captivating
Things I Know to be True by the Australian writer, Andrew Bovell, staged by Edinburgh University Theatre Company at the Bedlam to Saturday, is a less well-known piece, although Higher Drama students may know it intimately.
Monty Panto and the 12(ish) Labours
★★★☆☆ Light-hearted fun
In Monty Panto and the 12(ish) Labours at the Bedlam, mixed messages purposefully run riot. While it is neither quite a panto nor yet a full tribute to Monty Python, it provides solid entertainment from beginning to end.
The Booth
★★★☆☆ Comic confusion
Edinburgh University Theatre Group’s The Booth takes a satirical, but affectionate, look back to the 1950s, when Foley artists ruled the airwaves, using household objects to create so many of the sound effects that brought radio drama to life.
Salomé
★★★★☆ Uneven but compelling
Edinburgh University Theatre Company’s presentation of Oscar Wilde’s Salomé is wilfully uneven, not always carefully judged, yet ultimately extremely impressive.
H.M.S. Pinafore
★★★★☆ Works beautifully
Edinburgh University’s Savoy Opera Group’s latest production brings a new approach to HMS Pinafore, one of Gilbert and Sullivan’s most popular comic operas.
Shakers
★★★☆☆ Funny
The EUTC make a decent fist of Shakers, at the Bedlam all week, playing to the broad comedy of the John Godber and Jane Thornton’s script but finding their best in its moments of pathos.
Translations
★★★★☆ Clear
Edinburgh University Theatre Company bring a welcome clarity to Translations, at the Bedlam to Saturday, in a production which gets inside the many shades of meaning to Brian Friel’s script.
A Dolls House
★★★☆☆ Effervescent
The EUTC have taken Ibsen’s great classic, A Dolls House, and given it an immersive telling at the Bedlam all week, in a production which updates the setting to contemporary times.
Mary Queen of Scots got her Head Chopped Off
★★★★☆ Clear bright corbie:
The EUTC bring a strong understanding and sense of purpose to this production of Liz Lochhead’s great 1987 play Mary Queen of Scots Got Her Head Chopped Off, at the Bedlam to Saturday.
