Chris Allan

Chalk
★★★★☆ Well observed
The UK premiere of Walt McGough’s Chalk from the Edinburgh Graduate Theatre Group, upstairs at the Assembly Roxy, lacks a little in apocalyptic intensity – but convinces in its evocation of human relationships.

Apocalypse beyond the line
EGTG revive Walt McGough’s Chalk
Edinburgh Graduate Theatre Group return this coming week with a revival of American playwright Walt McGough’s intense, 2015 sci-fi fable, Chalk, upstairs at the Assembly Roxy from Wed 8 to Sat 11 November 2023.

Hamlet / Rosencrantz and Guildenstern Are Dead by Tom Stoppard
★★★☆☆ Pacy and ★★★★☆ Slick
New Edinburgh amateur company Necessary Cat make their debut performances for the last week only of the fringe with the elegantly twinned pairing of Shakespeare’s Hamlet and Tom Stoppard’s Rosencrantz and Guildenstern Are Dead.

And Then There Were None
★★☆☆☆ Patchy
Agatha Christie’s evergreen And Then There Were None is presented by Strawmoddie at the Central Hall, Tollcross, with delicacy and no little effort. Unfortunately, choices with staging – and problems seemingly inherent in the venue – make for an awkward experience.

Catch 22
★★★★☆ Catchy:
As with so many great books, Catch-22 seems to have defied dramatic representation over the years. And while EGTG’s version at the Biscuit Factory does not necessarily kill off such an idea, is still an extremely impressive production.

The Merry Wives of Windsor/Holyrood
★★★☆☆ Shakespeare transported:
Let’s get one thing straight right away, EGTG’s show at the Royal Scots Club is not an expose of the fun and frolics of the female members of the Scottish parliament.

Women in Parliament
★★☆☆☆ Attic Crude:
Crude on several levels, amateur company Athens of the North’s project to stage Andrew Wilson’s new translation of Aristophanes’ Women In Parliament is both fascinating and infuriating.

The Lark
★★★★☆ Fiery:
There is fire in the belly of EGTG’s telling of The Lark – Jean Anouilh’s take on the story of Joan of Arc – at Bellfield in Portobello to Saturday.

Hand to God
★★★★☆ Hot puppet action:
Packed with expletives and hot puppet-on-puppet action, EGTG’s thoroughly entertaining production of Robert Askin’s Hand to God at the Assembly Roxy is not for the faint hearted.