Dug Campbell
The Fifth Elephant
★★★☆☆ Slipped discworld
Strawmoddie Theatre return to the Pleasance with Stephen Briggs adaptation of The Fifth Elephant, ten years since the death of author Terry Pratchett and ten years since they were established.
The Curious Incident of the Dog in the Night-Time
★★★★☆ Stunningly crafted
EGTG’s production of The Curious Incident of the Dog in the Night-Time, at the Assembly Roxy to Friday, is a beautifully directed exploration of the autistic experience, based on Mark Haddon’s novel of the same name.
Necessary Cat’s Double Bill
A Midsummer Night’s Dream: ★★★☆☆ Funny
Julius Caesar: ★★★★☆ Relevant
This year’s double bill from Necessary Cat, playing Hill Street for the last fortnight of the Fringe, brings together comedy and tragedy in the form of A Midsummer Night’s Dream and Julius Caesar.
Suddenly Last Summer
★★★☆☆ Well acted
Edinburgh Graduate Theatre Group’s Suddenly Last Summer upstairs at the Roxy has excellent performances, but some less than ideal staging.
Incognito
★★★★☆ Earnest
The Edinburgh Graduate Theatre Group brings Nick Payne’s Incognito to the Assembly Roxy in a production packed with lightning-fast transitions and versatile performances.
Amadeus
★★★★☆ Intimate
Edinburgh-based Strawmoddie theatre company bring Peter Shaffer’s Amadeus to the Pianodrome in a powerful examination of the jealousy of mediocrity in the face of genius.
Going Postal
★★★★☆ First Class
Strawmoddie’s Going Postal, their fourth production of a Terry Pratchett novel adapted for the stage by Stephen Briggs, is delivered with all due care and attention to detail at the Pleasance Theatre to Sunday.
Dangerous Corner
★★★★☆ Absorbing
The Edinburgh Graduate Theatre Group’s production of J.B. Priestley’s Dangerous Corner, upstairs at the Assembly Roxy until Saturday, is a tense affair, well staged and compelling.
Macbeth & Dunsinane
Macbeth: ★★★☆☆ Speedy
Dunsinane: ★★★★☆ Bloody
A Necessary Cat have done it again – bringing a powerful double helping of a Shakespeare starter and Shakespeare-adjacent main course to the Fringe in which the whole is better the sum of its parts.














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