EdFringe 2021
#Nothing to Review Here
A look back at Edfringe’s Covid years
Four years ago, on Friday 7 August 2020, on what should have been the first day of the Edinburgh Fringe, I was on the Royal Mile with my brother, the photographer Peter Dibdin.
Slings and Arrows
★★★★☆ Hard hitting
There is raw emotion on display in Slings and Arrows, a disabled led dram from Raised Voices at theSpace@ Surgeons Hall – but there is also humour, stagecraft and real hope.
Bohemians Bounce Back
Rainbows all over from Bohemians
Edinburgh’s Bohemian’s have been recording all over the world for their latest production, A Bohemians Rainbow, which will be broadcast through the EdFringe online platform for five days only.
Theatre Stories
Has theatre changed your life?
Playwright Laura Horton wants to hear stories from people whose lives have been effected by the theatre for a project: Theatre Stories. She is in residence collecting stories at Assembly Roxy this week, Monday 23 to Friday 27 August 2021.
SKANK
★★★★☆ Clever
SKANK at the Pleasance Courtyard is a thoroughly successful and engaging one-woman show that is smart, funny and unexpectedly touching.
Afterparty
★★★★☆ Lairy
Packed with expletives and off-colour observations, Afterparty from New Celts Productions and F-Bomb Theatre at the theSpace’s Triplex theatre pulls no punches in its humorous but bitter-sweet story set in small town Scotland.
Press
★★★★☆ Sharply funny
Press in the Cabaret Bar at the Pleasance Courtyard is Black Bat Productions’ second production of this Fringe, and its second unqualified hit.
Catching Up
★★☆☆☆ Shapeless
There is an amorphous feel to Theatre Paradok’s Catching Up at Symposium Hall, as if what we are seeing has had one draft too few – or, more likely, several drafts too many.
Moonlight On Leith
★★★☆☆ Celebratory
Combining the quotidian and the lyrical, New Celts and REDCAP Theatre’s Moonlight On Leith at theSpace Triplex provides a touching portrait of assorted Leithers.
Pool (no water)
★★★☆☆ Patchy
Pool (no water) from New Celts and Oddly Ordinary reaches high in its intent. The end result is decidedly mixed, with elements that impress and others that infuriate.
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