EUTC
Accidental Death of an Anarchist
★★★☆☆ Relevant
Edinburgh University Theatre Company’s production of Accidental Death of an Anarchist, is a farcical comedy exploring how police violence and abuse is just as prevalent in the UK today as it was in 1970s Italy, when the original play was written.
Immaculate
★★★☆☆ Entertaining
Immaculate, by the EUTC at the Bedlam until Friday, is a spirited attempt at a play that never quite lives up to an intriguing premise.
Antigone
★★★★☆ Powerful
Antigone, from the EUTC at the Bedlam until Saturday, makes a 2500 year-old play as relevant as ever in a production of considered intelligence and fine acting.
Endgame
★★★★☆ Beautifully judged
The EUTC’s production of Endgame, at the Bedlam for three nights, is an exemplary production on almost every level. The direction and all of the performances are very fine indeed.
The End of the Line
★★★★☆ Feelgood existentialism
The End of the Line – a feelgood apocalypse comedy at the Edinburgh University Theatre Company’s Bedlam Theatre until 10 August – gives dynamic 1980s vibes, both in its power pop soundtrack and nuclear annihilation storyline.
Sins of the Mother
★★★☆☆ Family demons
To have one member of a family make a Faustian pact with Satan may be considered a misfortune. To have a father, a son and an ex-daughter-in-law all entering into deals with the devil suggests that something that has gone well beyond your typical dysfunctional domestic drama.
Jellyfish
★★★☆☆ Intriguingly absurdist
Jellyfish, a co-production between The EUTC and Filfbag Theatre at the Bedlam to Sunday, is an intriguingly absurdist tale.
Road
★★★★☆ Emotionally resonant
The EUTC production of Road at the Bedlam is far too long and distinctly baggy in places. It is also vibrant, accomplished and compelling.
Under Milk Wood
★★★★☆ Accomplished
EUTC’s staging of Under Milk Wood, at the Bedlam until Saturday, is a beautifully realised and engaging piece of theatre.
The Boys in the Band
★★★★☆ Engaging
The EUTC’s engaging production of Mart Crowley’s 1968, New York-set gay drama, The Boys in the Band, is a well-observed affair which is at its best when it goes past the play’s innate waspishness to find its inner anger.
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