Fiona Main
Dear Brutus
★★★★☆ Old world charm:
Threepenny Theatricals’ Dear Brutus at the Church Hill is a resolutely odd piece, hugely uneven in tone, but discharged with such grace and skill that is compulsively watchable.
Barrie’s Midsummer reckoning
Threepenny Theatricals take on JM Barrie’s “Peter Pan for Adults”:
Edinburgh amateur company Threepenny Theatricals is stepping up a gear for its second outing as it brings JM Barrie’s Dear Brutus to the Church Hill Theatre for four performances from Thursday 7 Feb 2019.
Elephants
★★★★☆ Accomplished debut:
Some excellent acting distinguishes ‘festive black comedy’ Elephants from new company Threepenny Theatricals upstairs at the Roxy.
Elephants in the Roxy
3T’s debut, Elephants, is Main event:
New Edinburgh amateur company Threepenny Theatricals is staging Rose Heiney’s black comedy Elephants as its debut production at the Assembly Roxy next week, 25 – 27 January 2018.
Ruddygore
★★★☆☆ Precise:
Musically rigorous and staged with clarity, there is a definition to EDGAS’s Ruddygore than compensates for a certain lack of sparkle.
Me and My Girl
★★★★☆ Thoroughly tuneful:
Very fine performances and some chorus numbers of an exceptional standard mark out Me and My Girl, EDGAS’s latest foray into non-G&S material at the Church Hill, to Saturday.
Goldrush!
★★☆☆☆ Bitty:
Strong voices and some great tunes give the premiere run of Anne-Marie Fraser’s new musical Goldrush!, at St Bride’s to Saturday, an invigorating bounce.
The Gondoliers
★★★★☆ Sugar-coated satire:
Good satire never dies but is endlessly topical, as Edinburgh Gilbert and Sullivan Society prove in their production of The Gondoliers at the King’s Theatre this week.
South Pacific
★★★★☆ Slick and sassy:
The vibrant colours of a lush, South Pacific tropical garden, with views to a distant volcanic island, frame Edinburgh Gilbert and Sullivan Society’s offering for this dreich October up at the Church Hill all week.
The Count of Luxembourg
★★★★☆ Hopelessly romantic:
A smidgeon of modernity, and Edinburgh modernity at that, is added to Elspeth Williamson’s clever production of Franz Lehar’s The Count of Luxembourg for Opera Camerata.
