Simon Wilkinson
What I’m Here For
★★★★☆ Powerful
What I’m Here For, a collaboration between Vanishing Point and Teater Katapult from Aarhus, Denmark, is an intelligent and compelling piece of politically-informed drama.
The Glass Menagerie
★★★★☆ Reflective
There is intelligence, theatrical knowhow and surprising humour in The Glass Menagerie, at the Lyceum for one week only. The Dundee Rep production (in association with the Citizens and the Lyceum) is utterly convincing and wonderfully acted.
To Save the Sea
★★★★☆ Defiant hope
Sleeping Warrior Theatre Company presents To Save the Sea at the Traverse and on a Scottish tour, a new musical capturing the efforts of Greenpeace environmental activists to prevent the disposal of Shell’s Brent Spar oil storage facility at sea in 1995.
Last Night I Dreamt that Somebody Loved Me
★★★★☆ Accomplished
Last Night I Dreamt Somebody Loved Me is a wistful piece about growing up that has considerable punch and an impressive musical content.
An Unexpected Hiccup
★★★★☆ Joyous
An Unexpected Hiccup, Lung Ha and Plutôt La Vie’s production, which was first staged under COVID conditions, has been revived to herald the new Lung Ha touring company. And what a welcome revival it is.
Ragnarok
★★★★☆ Dark
Tortoise in a Nutshell has brought all its considerable prowess in live animation to the stage with Ragnarok, a dark and foreboding take on an ancient Norse myth, foretelling the end of our world.
Group Portrait in a Summer Landscape
★★★★☆ Philosophical weight
Group Portrait in a Summer Landscape at the Lyceum deals unapologetically with difficult emotional and political themes, eschewing any easy answers or resolutions in a way that could be difficult but is made palatable by performances of power and nuance.
Castle Lennox
★★★★☆ Huge humanity
Originally intended to be staged at the Lyceum in 2020, Castle Lennox, playwright Linda McLean’s collaboration with Lung Ha Theatre Company proves to be well worth the wait.


















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